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Monday, December 17, 2012

New Worlds for All: Indians, Europeans, and the Remaking of Early America (American Moment)

New Worlds for All: Indians, Europeans, and the Remaking of Early America (American Moment) Review


Although many Americans consider the establishment of the colonies as the birth of this country, in fact Early America already existed long before the arrival of the Europeans. From coast to coast, Native Americans had created enduring cultures, and the subsequent European invasion remade much of the existing land and culture. In New Worlds for All, Colin Calloway explores the unique and vibrant new cultures that Indians and Europeans forged together in early America. The journey toward this hybrid society kept Europeans' and Indians' lives tightly entwined: living, working, worshiping, traveling, and trading together—as well as fearing, avoiding, despising, and killing one another. In the West, settlers lived in Indian towns, eating Indian food. In Mohawk Valley, New York, Europeans tattooed their faces; Indians drank tea. And, a unique American identity emerged.

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American history has often been influenced by ethnic conflicts, but what we sometimes forget is how central the meetings between various ethnic groups were to the formation of what would become the United States. In New Worlds for All Colin Calloway offers a readable, fascinating account of how the English, French, Dutch, Spanish, and Native Americans came together in a wilderness and went through tumultuous conflicts that eventually created a hybrid society. This conglomerate, which was different from any other on earth, eventually led to the creation of the United States.

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Thursday, December 13, 2012

American Indian Archery (Civilization of the American Indian)

American Indian Archery (Civilization of the American Indian) Review


No one knows for certain just when the bow and arrow came into use in America, but they were in use from the far North to the tip of South America when Europeans first arrived. Over the hemisphere the equipment ranged from very poor to excellent, with the finest bows of all being made in the Northwest of North America. Some of these bows rivaled the ancient classic bow in beauty of design and workmanship. 

The attitudes of whites toward Indian archers and their equipment have ranged from the highest of praise with mythical feats rivaling those of William Tell and Robin Hood-–o mockery and derision for the Indians' short, "deformed" bows and small arrows. The Laubins have found most of the popular conceptions of Indian archery to be erroneous-as are most of the preconceived notions about Indians—and in this book they attempt to correct some of these false impressions and to give a true picture of this ancient art as practiced by the original Americans.

Following an introduction and history of Indian archery are chapters on comparison of bows, bow making and sinewed bows, horn bows, strings, arrows, quivers, shooting, medicine bows, Indian crossbows, and blowguns. Those wishing to learn something about the use of archery tackle by American Indians, something of the ingenuity associated with its manufacture and maintenance, and something about the importance of archery in everyday Indian life will find in this book a wealth of new, valuable, and important information.

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Monday, November 26, 2012

The Blackfeet: Raiders on the Northwestern Plains (Civilization of the American Indian Series)

The Blackfeet: Raiders on the Northwestern Plains (Civilization of the American Indian Series) Review


The Blackfeet were the strongest military power on the northwestern plains in the historic buffalo days. For half a century up to 1805, they were almost constantly at war with the Shoshonis and came very close to exterminating that tribe. They aggressively asserted themselves against the Flatheads and the Kutenais, shoving them westward across the Rockies. They got on fairly well with English and Canadian traders during the heyday of the fur trade on the Saskatchewan River, but on the upper Missouri they took an early dislike to Americans, whom they called "Big Knives." American fur traders, such as Manuel Lisa, Pierre Menard, and Andrew Henry, were literally chased out of Montana by the Blackfeet.

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Monday, November 5, 2012

Sewing Secrets from the Fashion Industry: Proven Methods to Help You Sew Like the Pros (Rodale Sewing Book)

Sewing Secrets from the Fashion Industry: Proven Methods to Help You Sew Like the Pros (Rodale Sewing Book) Review


Sewing secrets from the fashion industry

Look over the shoulders of sewing experts as they show you how to cut and sew the professional way. From sample rooms to production sewing factories, the authors gleaned the best and the fastest garment-sewing techniques and treatments.

Sew fast. Sew smart. Make clothes that look better than ready-to-wear. Hundreds of step-by-step photographs and easy-to-understand directions help you:

* Master bound button holes
* Imitate professional seam finishes on your machine
* Create an innovative button placket
* Eliminate ease stitching and basting
* Sew a lined vest in three hours without any hand stitching
* Choose a pocket and waistband that's right for you
* Use industry techniques to interface like the pros
* Make clothing that fits perfectly no matter what your size
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Sewing Secrets from the Fashion Industry: Proven Methods to Help You Sew Like the Pros (Rodale Sewing Book) Specifications


Hundreds of clear photos, excellent step-by-step instructions, dozens of trade secrets from industry experts, and an A-to-Z approach make this one of the outstanding guides on the subject. Besides wonderful coverage of equipment choices and construction techniques, there is terrific information on altering commercial patterns to customize every detail for individual figure specifics, making a muslin, working with various fabric and interfacing types, and layout and cutting. This is an essential addition to any novice's sewing library; the more-experienced garment maker will also find it a very useful reference. --Amy Handy

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Sunday, October 21, 2012

History of the Ottawa and Chippewa Indians of Michigan

History of the Ottawa and Chippewa Indians of Michigan Review


This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition. Read more...


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Thursday, October 18, 2012

The Key to the Indian (An Avon Camelot Book)

The Key to the Indian (An Avon Camelot Book) Review


He felt a draft of cold air. Instinctively he put his arms around his body. Then he looked down at himself and got a shock. He was naked...His first instinct was to hid. he scrambled over the earth floor of the longhouse and ducked under the curtain. Beyond was deeper darkness, but he could make out a sort of room with a raised section against the wall. On this was a mountain range covered with fur, in the shape of a sleeping giant.

Omri stared all around, feeling the beginnings of panic. "Dad!" he whispered as loudly as he dared...

There was no answer. Omri felt intensely vulnerable with no clothes on. Cold air embraced his skin from head to foot. He felt a sudden longing to go home. He hadn't reckoned on this--being separated from his dad, it being so dark and cold, so strange, so lonely.

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It all started with Lynne Reid Banks's The Indian in the Cupboard, the enchanting, suspenseful story of toy figures brought to life through the magic of a cupboard and a special key. Three sequels followed this popular novel--The Return of the Indian, The Secret of the Indian, and The Mystery of the Cupboard--and The Key to the Indian is next in line. At first Omri was alone with his secret of the toy figures and the surprising appearance of the 18th-century Iroquois Little Bear. One day, however, his father finds the figures in his son's room, and locks them in the special cupboard: "Of course they'd come to life inside, and his dad had put a lot of twos and twos from the past together, and realized. And later he'd seen them, been introduced to them. And accepted it.... It took a special kind of grownup not only to accept magic when he saw it but to promise and swear that he'd never, ever tell a living soul." What Omri and his father both now know about is the terrible plight of the Iroquois people during the 18th century--and that Omri's new friend Little Bear is in urgent need of help. Father and son attempt to travel back in time... but things go horribly wrong. They persist for the sake of Little Bear, but at great risk. With history, magic, humor, and all the surprising twists readers have come to expect from Banks, The Key to the Indian will absorb young readers through the very last page. (Ages 9 and older)

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Saturday, September 8, 2012

She's Mad Real: Popular Culture and West Indian Girls in Brooklyn

She's Mad Real: Popular Culture and West Indian Girls in Brooklyn Review


"She's mad real. She don't front for nobody. If you listen to her music you learn stuff about her life and how she struggled to get where she is. She's not just singing about how she's out at the club."
New York high school student China on R&B singer Mary J. Blige

Overwhelmingly, Black teenage girls are negatively represented in national and global popular discourses, either as being "at risk" for teenage pregnancy, obesity, or sexually transmitted diseases, or as helpless victims of inner city poverty and violence. Such popular representations are pervasive and often portray Black adolescents' consumer and leisure culture as corruptive, uncivilized, and pathological.
In She's Mad Real, Oneka LaBennett draws on over a decade of researching teenage West Indian girls in the Flatbush and Crown Heights sections of Brooklyn to argue that Black youth are in fact strategic consumers of popular culture and through this consumption they assert far more agency in defining race, ethnicity, and gender than academic and popular discourses tend to acknowledge. Importantly, LaBennett also studies West Indian girls' consumer and leisure culture within public spaces in order to analyze how teens like China are marginalized and policed as they attempt to carve out places for themselves within New York's contested terrains. Read more...


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